Dec/080
Jean-Baptiste Mondino
I really have nothing to say; I don't want to distract from of his work:

Dec/080
album cover released
After a long process of back-and-forth about what the cover will be, it's final:
It's slated for release in a few months the end of March '09:
Since I had no blog, I had no way of publicly (however public this ends up being) thanking everyone involved in wandering Marais. My makeup artist Vicki was superb, and my assistant Alex (or: Chou) was amazing. A second shot came out of it that may be used as the EP cover, or as a possible poster:
Melody and I spoke at length beforehand over prelim mixes of some of the songs to understand the sentiment behind the work, and try to put that sentiment into the photos rather than letting my own preferences dictate the look of the shots.
It's true that a photographer needs to make his book consistent, and I understand clients want to know what they'll be getting and become nervous when they see variety. However, I think the art in this doesn't come from doing the same thing ad nauseum, but in visually interpreting an artistic statement. In fashion, the entire team works toward a vision. Here, the subject and her art is the vision. In my opinion, that process is so much more profound, and has gotten me completely hooked on working in this way.
Dec/080
l’esthétique et la vie de la joie
I've had an aesthetic making its way through my brain for a while now - as a culmination from many different sources. While in Paris this past September, we ducked in to The Lapin Agile in Montmartre where Lautrec used to spend his time when he wasn't at the Moulin Rouge. The place was amazing, and despite what year it may be, there was nothing modern - just the feeling of ages and ages of people living as if it was their last day, and laughing until they cry in fits of drunken ecstasy. Forget that we ended up there on what must have been asian tourist night, the feel was still there ... just, potential. The walls were singing whether or not the crowd was. It made me think of the color pallette and emotion in the lithographs of Lautrec and Cheret. The colors carry the mood and remind me of Parisian food with colors you can feel and taste.
I've seen them all my life. Growing up, we had this one hanging in our livingroom:
And there was an insistance to all the run-ins with these posters. The colors began to work on me - and I've decided I want to use this inspiration - though perhaps sans the poses that are almost a precurser to pinup. So soon after returning I set up a test to shoot old polaroid on a 4x5 speed graphic using old glass with a coating I knew might give me the tangarine whites of these old prints. Since old pull-apart polaroid is completely unpredictable both for tones and exposure, I have a crispy stack of almosts. Out of them, and thanks to makeup artist Victoria Stiles and Sarah, a beautiful model who could patiently wait through 4 second exposures, I created this shot:
it's still a bit less vibrant by choice, but it's on the right track, and I'd like its softness and almost abstraction to inform an entire story I'll shoot soon. Someone pointed out that it's also nearer Japanese art in its 2D quality and the obligatory splash of red than it ever will be french lithography. Though I like that mixture. I only want to borrow a bit of their aesthetic, not recreate them altogether.
Hopefully soon I'll have more to show.













